meshes. 2024. Cotton sheet, acrylic, chainlink netting and wire mesh.

small positives, 2024. MDF and acrylic

parts to mass, created in 2021 reformed 2024. MDF and acrylic.

stacks, 2024. MDF, acrylic, threaded rods and nuts.

blue screens, 2024. MDF, acrylic and projected still image.

Here things gather in some kind of communion. Abstracted and less than complete.
Once banked, they now appear displaced, hovering at an intermediary stop.

Amidst the flickering lights and murmurs of unseen energies, shadows cast with electric grace. In this sentinel of power, a sanctuary of steel embrace, a gathering unfolds— a congregation of ephemera and echoes, hovering on a threshold. This is a place where fragments of tangibility intermingle with the whispers of the intangible, exploring the lines between what is and what could be. Objects, thoughts, and sensations coalesce in a dance of transformation and uncertainty, through which their meanings shift and morph. In this pseudo substation, time holds its breath, allowing for the emergence of new possibilities and the dissolution of past certainties. It is a space of perpetual becoming where realities convene, blurring the boundaries between “truth” and illusion, between represent(ed) and present(ed). ‘In a substation somewhere’ invites us to explore this nebulous domain, where amid the hum of machines and digi blue glare, an ever-shifting landscape of perceptions and potentiality reveals itself.