Master of Fine Arts with first class honours, Whitecliffe College
Bachelor of Fine Arts (Hons), Whitecliffe College.
Bachelor of Fine Arts, Whitecliffe College.
in a sub station somewhere, DEMO, Tāmaki Makaurau / Auckland
Fertile Ground, DEMO, Tāmaki Makaurau / Auckland
Chemical Landscape (group show), ODDLY gallery, Tāmaki Makaurau / Auckland
In the absence of the mask but not the object, Window Gallery, Tāmaki Makaurau / Auckland
Field Guide, DEMO, Tāmaki Makaurau / Auckland
Where We Are Now, Auckland Photography festival, Form Gallery, Tāmaki Makaurau / Auckland
Lively Collisions (group show), DEMO, Tāmaki Makaurau / Auckland
Shifting Matter (group show), Form Gallery, Tāmaki Makaurau / Auckland
Death, The Nomadic Gallery at Corban's Estate, Tāmaki Makaurau / Auckland
Eden Art Awards at Webb's, Tāmaki Makaurau / Auckland
Adapt, Pearce Gallery, Tāmaki Makaurau / Auckland
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2021
Shows
2020
2019
Education
Writings
2023
2024
2022
2021/22
2020
2019
Select writings and publications
Artsdiary coverage of Eden Arts Art Schools Award Exhibition.
2020
Celine Frampton (b. 1997, NZ) is a multi-disciplinary artist currently based in Kirikiriroa (Hamilton), Aotearoa (New Zealand). Utilising languages from design and multiple media (sculptural-objects, projection, sound and text), Celine explores how speculative objects can be separated from narrative, and are instead connected by withheld scenarios that cause the viewer to speculate and give possibility to the multiverse of what our world could or could’ve been.
Departing from the functional, commercial or realised products commonly associated with design, Celine is interested in how speculative and (un)real objects act as philosophical tools or conduits instigating substantial reflection and imagining - encouraging the viewer reflectively or critically think about our (un)desirable pasts, contemporary realities, and (im)possible futures. How such objects can suggest possible applications, interactions and behaviours beyond the visually overt. Acting as mirrors for the society that produces, uses or inhabits them and in turn it’s structures, systems, values, ideologies and aspirations. Celine is interested in their ability to discuss relationships between (un)reality, science, technologies, andhumans while simultaneously problematising specific issues, social implications and consequences from such fields.